It is a sad comment on the modern day comic book industry, that no one stays on a Title for very long anymore.
The latest example of this, at least the latest example that makes an impression on me, is the discovery that a personal favourite artist, is leaving a book that he only took over the art chores on six months ago!
Stuart Immonen is leaving the revamped
All-New Captain America,
to take over from the departing John Cassaday,
on the fledgling Marvel Comics Star Wars title.
Remember the old days, when an artist would be associated with a title for years?
I had actually completely missed the fact that Marvel Comics had regained the rights to publish the Star Wars comics. Hardly surprising though, when I find so very little in the new comics to interest me at all but I am surprised that I missed the fact that
John Cassaday was involved.
The Planetary, by Warren Ellis and John Cassaday
was a title that captured my attention and managed to hold it, all the way to the last issue. It is well worth the reading, which is more than I can say for a lot of the books coming out lately.
Anyway, the point is, that I am disappointed in the fact that a comic book, that I was beginning to really enjoy, will be left hanging... I am, after all, following the artist and not the writer; as shallow as that may sound.
From the very beginning of my fascination with comic books, I have always acknowledged the importance of the writer and yet, when it comes right down to it... I can read a poor story with good art but I cannot read a great story illustrated with art that I don't enjoy. I am sure that I have missed some great stories over the years but I am a visual person and the art has to be graphically appealing for me to be interested.
I am really looking forward to getting my hands on a copy of the new book from Stuart and Kathryn Immonen,
"Russian Olive to Red King",
they are both amazing at what they do and I paid Kathryn the highest honour by buying her Lady Sif story published in Journey into Mystery last year, even though the art wasn't quite to my taste.
An even bigger concession on my part, was that I began to really enjoy the artwork of Valerio Schiti by the time I had read them all. Heck, I even bought them as back-issues!
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